
Photo by Ian McFarlane

10 — John Nemeth – ‘Stronger Than Strong’ – Memphis Grease Records
The album’s title and the record company’s name, stitched together, aptly
describe the rhythm and blues found on John Nemeth’s latest album. These are
massive grooves, dripping with spirit and tenderness, but also the fury and
sweat of a man railing against the filth he sees in government and society. The
songs are articulately written and Nemeth sings them with both hair-raising
urgency and bottomless soul in his voice. And if that’s not enough, he blows a
mean harp. The guitar playing by 19-year old wunderkind John Hay adds yet one
more layer of fascination to the proceedings, making “Stronger Than Strong”
stand taller than most.
9 — The SteelDrivers – ‘Bad For You’ – Rounder Records
They not only survived Chris Stapleton’s exit, they thrived. The
SteelDrivers hammer down into the fertile soil of Southern roots music, and
then adorn it all in mountain bluegrass. There’s nothing like them, and on “Bad
for You,” singer Kelvin Damrell sounds born for the job with his raspy voice
and heavy metal-inspired exuberance. Vivid images of Appalachia rise through
the banjo and fiddle-led tunes, some dark and daring in nature. Whether the
tough “Bad for You,” or lamenting “Forgive,” righteous, serious paths beckon,
but they’re always brightly-lit. Incredible writing, singing, picking and
sawing makes “Bad for You” very, very good.
8 — Bobby Rush – ‘Rawer Than Raw’ – Deep Rush Records
Done with the Chitlin Circuit horseplay that he once reveled in, Bobby
Rush stripped to his blues skivvies for “Rawer than Raw.” Rush presents blues
music here exactly as it was at its origins, and does so with astonishing
dexterity, power and clarity. Astonishingly, he was in his mid-80s when he cut
this even mix of classic covers and engaging originals. A man of that age
running his fingers nimbly across guitar strings, tunefully pumping joy from
his harmonica, tapping his foot to set a beat, and singing, with gravel in his
pipes, “I got high down there, high as a Georgia pine,” is surely cause for celebration!
7 — Pam Tillis – ‘Looking For a Feeling’ – Stellar Cat Records
Pam Tillis, daughter of Country Music Hall of Fame legend Mel Tillis,
enjoyed peaks on the country charts in the 1980s and ‘90s. After a long layoff,
she evidently found what she was looking for, and exposed the heart of it on
her delightful, shimmering “Looking for a Feeling.” That feeling feels
generally laid back, with gentle twang and plenty of soul; perfect settings for
Tillis to showcase her sumptuous voice. But there is some venom behind the
modern-rocking “Demolition Angel,” and a big wink in her eye during the loving,
reverential story of “Dolly 1969.” Tillis proves herself vital and full of
wisdom. This is country music as it should be, in spades.
6 — Tinsley Ellis – ‘Ice Cream in Hell’ – Alligator Records
Tinsley Ellis serves hard-hitting blues songs that exude an everyman’s outlook
on life. They’re filled with Georgia heart, oftentimes sprinkled with wit, and
always powered by Ellis’ robust, tone-cool guitar playing. “Ice Cream in Hell”
features Ellis and his band at their rollicking best. Whether singing — in his
gruff, affable voice — about closure (“When they serve ice cream in hell,
I’m gonna take you back”) or an unbreakable, unhealthy bond (“Your
love’s like heroin”), relationships take center stage. The music rocks with
a vengeance, rolls smoothly and bleeds slowly. But whatever the case, “Ice
Cream in Hell” burns bridges, melts the soul, and feels so damn good going down.
5 — Mike Mattison – ‘Afterglow’ – Landslide Records
Mike Mattison spends the lion’s share of his time projecting his
eloquent, oftentimes sardonic points of view from within the Tedeschi Trucks
Band. On “Afterglow,” he makes entirely different big impressions with his
songwriting and his smoky, cayenne-buttery voice. The album expands on the
colorful soul and blues palette Mattison worked from to create his first solo
album, and his four leading the band Scrapomatic. Strangely addicting cowboy
grooves propel “Charlie Idaho” into a set that includes the honest-as-dirt
irritability and urbanized blues of “Deadbeat,” as well as the gentle,
plaintive, falsetto-soul-fired “I Really Miss You.” It’s all quite
invigorating, to say the least.
Photo by Robby Klein
4 — Larkin Poe – ‘Self Made Man’ & ‘Kindred Spirits’ – Trick-Woo Records
Larkin Poe earned this double accolade. Their “Self Made Man” arrived in
June as a breakthrough album of lap steel guitar-whipped artistry. Its snappy,
captivating songs stretch the blues to lengths that kiss rock’s mainstream with
great results. Sisters Rebecca and Megan Lovell and their band burst with
greasy abandon and impeccable control. Fearlessness reigns. Five months later, their
“Kindred Spirits” arose from a productive void of quarantine. For that album, the
Lovell sisters explored the past, singing gorgeously, and reimagining confidently
and boldly, 11 nostalgic gems that inspired them from their childhoods on. The far-reaching
variety astounds.
3 — The Allman Betts Band – ‘Bless Your Heart’ – BMG
Led by three sons — Devon Allman, Duane Betts and Berry Duane Oakley — of
original Allman Brothers Band members, this septet proves again, on their
second Muscle Shoals-recorded album that their success lies in their abundant, individual
talents, and the dazzling results of their collaboration. Famous father influences
surface occasionally, most notably in Betts’ guitar tone, and in his galloping,
melody-rich instrumental opus, “Savannah’s Dream,” which recalls with
magnificence the mid-1970s Allman Brothers in jazzy lockstep. “Bless Your Heart”
does more than invigorate Southern rock; it promises the world for this new band
of brothers.
2 — Pat Metheny – ‘From This Place’ – Nonesuch Records
Christmas arrived in February for fans of jazz guitarist and composer Pat
Metheny, just in time for them to luxuriate in his music during quarantine. “From
This Place” contains everything that has made Pat Metheny one of the most
singular and important musical artists of our generation. The album’s 10 pieces
are far-reaching in scope and cinematic in nature. They expand upon the styles
played by the classic Pat Metheny Group, always in fascinating fashion.
Metheny’s guitar playing sweeps, soars, peeks around corners, and opens doors
into wondrous places. Gwilym Simcock plays piano gracefully, and the rhythms of
bassist Linda May Han Oh and drummer Antonio Sanchez ripple, or hit like
hammers. The Hollywood Symphony adds rainbows of color. Bravo!
1 — Randall Bramblett – ‘Pine Needle Fire’ – Blue Ceiling Records
Celebrated singer-songwriter and multi-instrumentalist Randall Bramblett returned
with his 13th studio album brimming with his distinctive views on the
highs and lows of the human condition, and everything in the world that affects
it. Bramblett’s wry twists of phrase are wrapped, as always, in ingenious melodies
of uncharacteristically Southern-spirited rock and rhythm and blues, and are
played by world-class musicians. From “Some Poor Soul” to “My Lucky Day,” Bramblett
sings the gamut of scenarios and emotions in his reedy, very engaging tenor.
There are very cool albums, and there are Randall Bramblett albums.
My Favorite Live Album of 2020
The Brothers – ‘March 10, 2020 / Madison Square Garden / New York, N.Y.’ – nugs.net
I witnessed this event, then prayed for the album. The music of The Allman Brothers Band was celebrated this night with honor and blistering enthusiasm. Without the late Duane and Gregg Allman present, this performance for a packed, deliriously happy Garden crowd nonetheless glimmered with their spirits, and showed that the standard they set 50 years ago still sounds pertinent, and magnificent, and will for eternity. The timeless songs were presented by a band with only one original Brother, the swinging drummer, Jaimoe. But latter-day members, including guitarist/lead singer Warren Haynes, guitarist Derek Trucks, and pianist Chuck Leavell, are each and every one, maestros. This one-night-only aggregation played one-of-a-kind thrilling music at perhaps the last-of-a-kind concert experience. This album captures it all in clear, punchy sound.
-Tom Clarke
Coming Monday: Tahoe Onstage editor Tim Parsons lists his favorite 10 studio albums of 2020.